Gwenno channels Kate Bush in her new single, 'Tir Ha Mor'
Gwenno is sure to be one of our favourite acts of the year if her new single, 'Tir Ha Mor' is anything to go by. The track (and video) instantly make us think of Eighties Kate Bush.
The track is taken from her second album, Le Kov, which is coming on 2nd March.
With her much–anticipated second album Le Kov due for release 2nd March via Heavenly Recordings, Gwenno has today shared a video for “Tir Ha Mor”, the first single to be released from the LP.
Of the video Gwenno says: “We drove to St Ives and marvelled at the crashing waves, went up the coast, past Zennor and arrived at Levant Mine to pause for thought and remember those who had given and lost so much to the land. All we could do was appreciate the rugged landscape, as so many had done before us. We drove back to Cardiff and I mulled over the merits of dancing to your own song, and concluded that it's alright to do so sometimes. Cornish Abstract Landscape artist, Peter Lanyon, Marghek an Gwyns (Rider of the Wind, his Cornish Gorsedd bardic name) glided over the land to get a better feel of Cornwall, and Tir Ha Mor (Land and Sea) is inspired by his methods and muse. I filmed what was in front of me, which is nowhere near the same level of commitment, but it is my interpretation of what I saw and felt and that, I hope, is worth something.”
In addition to her new album, Gwenno, is also kicking off a run of live performances later this month taking in the following dates:
Saturday 20th January – HOLYHEAD – Ucheldre Centre
Thursday 8th March – BIRMINGHAM – Hare & Hounds
Friday 9th March – MANCHESTER – Gullivers
Saturday 10th March – LEEDS – Brudenell Social Club
Friday 16th March – BRIGHTON – Rialto Theatre
Saturday 17th March – RAMSGATE – Music Hall
Thursday 22nd March – BRISTOL – Louisiana
Friday 23rd March – OXFORD – Bullingdon Arms
Sunday 25th March – ABERYSTWYTH – Ceredigion Museum
Thursday 12th April – LONDON – Hoxton Hall
Written entirely in Cornish, Le Kov is exploration of the individual and collective subconscious, the myths and drolls of Cornwall, and the survival of Britain’s lesser known Brythonic language. As one of the language’s few fluent speakers, Gwenno felt a duty to make her second album entirely in Cornish: to create a document of a living language, explore her identity and the endless creative possibilities of a tongue that has a very small surviving artistic output, despite having been around for at least 15 centuries.
She dove deep into research, learning about attempts to protect and progress the language and the role of women throughout Cornish history. When Gwenno considered the legends of sunken Brythonic cities Cantre’r Gwaelod, Kêr-Is, Langarrow and Lyonesse, she knew she had her starting point. These cities evoked her idea of language as its own form of psychological territory, a concept perfectly distilled by the Cornish title for the album, Le Kov – the place of memory.
But Le Kov isn’t really a concept album—the city doesn’t loom that large through these 10 songs, and you don’t need the translation sheet to appreciate the gorgeous, sea-warped psychedelia that Gwenno has created alongside long-term collaborator and producer Rhys Edwards. Evoking the music of her childhood – Brenda Wootton, Alan Stivell, BUCCA – along with Broadcast, The United States of America, White Noise and Serge Gainsbourg, Le Kov is shimmering and tarnished, rust mingled with barnacles, moss entwined with weathered rope. It’s a huge step up from her debut album, Y Dydd Olaf, featuring forlorn piano, crisp drums, and searching synth lines that seem to reach across the horizon. The sounds of the language are similarly gorgeous: “Dha wolow jy yw splann” (“your light is bright”), Gwenno marvels on Hi A Skoellyas Liv A Dhagrow (She Shed A Flood Of Tears).
Sharp-eyed observers will note that that’s also a song from Aphex Twin’s 2001 album Drukqs. “I imagined Richard D. James coming across this ‘long lost Cornish 70s folk rock song’ on vinyl in a charity shop in the city of Le Kov, and stealing the title,” says Gwenno. It’s one of just two songs where she references the city directly. The next is Herdhya (Pushing), a hypnotic song “about the feeling of isolation after the Brexit vote, and realising that you’re stuck on an island—Britain—with perhaps many people who are trying to push society back to a regressive idea of the middle ages that has never existed, and imposing that on everyone else,” says Gwenno. By contrast, Le Kov is “dhyn ni oll” (for us all), a sanctuary city and analogue for the importance of understanding that diverse identities are the foundation of any place.
There’s darkness on Le Kov, but beauty, too. Tir Ha Mor (Land And Sea) is a tribute to Peter Lanyon, the St. Ives school painter who learned to fly a glider plane in order to “get a more complete knowledge of the landscape” where he lived, and died after crashing his aircraft in August 1964. “Marghek an Gwyns was his Bardic name,” says Gwenno. “Rider of the Winds.”
And Gwenno’s playful side shines through, too. Daromres Y’n Howl (Traffic In The Sun) is a low, groovy tribute to Cornwall’s clogged roads in the summertime, featuring Gruff Rhys rapping amid dissonant brass that evoke the angry horns of tourists on the A30. And Gwenno’s favourite song is Eus Keus? (Is There Cheese?). It comes from one of the oldest surviving Cornish phrases: “Is there cheese? Is there or isn’t there? If there’s cheese, bring cheese, and if there isn’t cheese, bring what there is!”
Over the course of making Le Kov, Gwenno reconciled her anxiety over her right to make a Cornish-language pop record, and realised that, in the age of Brexit, isolationism and hostility towards the rich cultures that make modern Britain, it had a wider resonance, too. “This album is a combination of accepting the culture which your parents have valued enough to want to pass on to you, regardless how small, and utilising it in a positive way to try and make sense of the world around you, it’s also about having to accept and respect the nuances that make us all different and discovering that all of our stories share the same truth.”
Le Kov tracklist:
1. Hi a Skoellyas Liv a Dhagrow
2. Tir Ha Mor
4. Eus Keus?
6. Den Heb Taves
7. Daromres y'n Howl
10. Koweth Ker