Win a signed copy of Opticks by Silje Nes

The Digital Fix is giving you a chance to win a signed copy of Opticks, the new album from Norwegian songstress Silje Nes

Nearly a year and a half in the making, ‘Opticks’ is a gently enchanting new record that – whilst again home-recorded - dramatically upgrades Silje’s sound and sees her making considerable advances on her debut, ‘Ames Room’, which was released in January 2008 to widespread critical acclaim. Intricately constructed, warm and brimming with melodic hooks, ‘Opticks’ is a record full of wonder and unfurls a series of increasingly accessible and catchy little songs.

Norwegian multi-instrumentalist / singer / songwriter Silje Nes grew up in the tiny town of Leikanger, in Sognefjord, Norway’s largest fjord, before moving to Bergen in 2000. Having previously been in an indie pop band, played timpani in an orchestra and bass drum in a marching band, Silje began making her own music in 2001, recording on 4-track demo software through a tiny inbuilt microphone on a laptop. Guided by the excitement of discovering interesting new sounds and instruments, she made use of whatever equipment she could get hold of – guitars, an old synth, a cello, a drum kit, a laptop, as well as loop pedals to build layers of her own playing. Little by little she also found ways of including her own voice, both as texture and song, and her music has organically evolved from there.

Whilst once again mostly home-recorded, ‘Opticks’ (the title references
Orbiting around Silje’s unique vocals, tracks are constructed from a wide range of instruments and effects - guitars, drums, viola, bass, xylophone, electronics, keyboards, concertina, flute, trumpet, percussion and “basically anything i have lying around, adding random recordings of things, video clips, effects...” Initially utilising a computer to layer sound, Silje has increasingly tried to remove herself from the machine - reworking some of the material on a 4-track cassette recorder in an attempt to simplify things, but ultimately ending back with the computer exploding the material into "even more complicated stuff than before."


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