Following a storming trip to the UK, supporting Ozzy Osbourne at the iTunes festival and playing to a sold out crowd at London’s Barfly, The Sword have unveiled a free download of album track ‘Tres Brujas’
One of the foundations of the metal revival of the past ten years, Austin TX’s The Sword have released two flawless slabs of vintage heaviness on Kemado Records, toured the world with Metallica, and were honored to grace the past three editions of Guitar Hero. This summer, the band casts its gaze to the stars for Warp Riders, their third full-length and their most ambitious effort to date.
Warp Riders isThe Sword'sfirst concept album, a science fiction maelstrom put to the storming, relentless riffage and pounding rhythms upon which the band has staked its reputation. It’s also their most flat-out, supercharged, adrenaline-pumping work yet, a chrome-plated war machine that lords over the blackened sky. From the street-prowling anthems “Night City” and “Lawless Lands” to the two-part showdown of “The Chronomancer,” to the furious mechanics of closing track “(The Night the Sky Cried) Tears of Fire,” The Sword forces eminent domain ruling over heavy metal for the next decade, and welcome all challengers for an ill-fated shot at the title.
Warp Riders tells the tale of Ereth, an archer banished from his tribe on the planet Acheron. A hardscrabble planet that has undergone a tidal lock, which has caused one side to be scorched by three suns, and the other enshrouded in perpetual darkness, it is the background for a tale of strife and fantasy, the battle between pure good and pure evil. How it’s told – through the dueling lead guitars of J.D. Cronise and Kyle Shutt, and the concussive rhythm section of bassist Bryan Ritchie and drummer Trivett Wingo – underscores the narrative with molten steel and unreal precision.
Everything you’ve loved about The Sword in the past has been magnified, amplified, boosted and gnarlified. Warp Riderss is the most accurately realized effort by the band yet, a tribute to comic books, dimestore sci-fi paperbacks, the legacy of FM rock radio, and the all-consuming power of heavy metal
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