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Criterion bring us The Blob, Othello and The Magnificent Ambersons in December

Continuing their fantastic run of form the UK arm of Criterion have announced another selection of classics to join their ranks in December.

The Blob - 3rd December

A cult classic of gooey greatness, The Blob follows the havoc wreaked on a small town by an outer-space monster with neither soul nor vertebrae, with Steve McQueen(The Great Escape) playing the rebel teen who tries to warn the residents about the jellylike invader. Strong performances and ingenious special effects help The Blob transcend the schlock sci-fi and youth delinquency genres from which it originates. Made outside of Hollywood by a maverick film distributor and a crew whose credits mostly comprised religious and educational shorts, The Blob helped launch the careers of McQueen and composer Burt Bacharach,whose bouncy title song is just one of this film’s many unexpected pleasures.



Features:
  • New high-definition digital restoration, with uncompressed monaural soundtrack
  • Two audio commentaries: one by producer Jack H. Harris and film historian Bruce Eder and the other by director Irvin S. Yeaworth Jr. and actor Robert Fields
  • Trailer
  • Blobabilia!, a gallery of collector Wes Shank’s rare trove of stills, posters, props (including the blob itself!), and other ephemera
  • PLUS: An essay by critic Kim Newman



Othello - 10th December
Gloriously cinematic despite its tiny budget, Othello, directed by Orson Welles (Citizen Kane), is a testament to the filmmaker’s stubborn willingness to pursue his vision to the ends of the earth. Unmatched in his passionate identification with Shakespeare’s imagination, Welles brings his inventive visual approach to this enduring tragedy of jealousy, bigotry, and rage, and also gives a towering performance as the Moor of Venice, alongside Suzanne Cloutier (Juliette, or Key of Dreams) as the innocent Desdemona, and Micháel Macliammóir (Tom Jones) as the scheming Iago. Shot over the course of three years in Italy and Morocco and plagued by many logistical problems, this fiercely independent film joins Macbeth and Chimes at Midnight in making the case for Welles as the cinema’s most audacious interpreter of the Bard.



Features:
  • New, restored 4K digital transfers of two versions of the film, the 1952 European one and the 1955 U.S. and UK one, with uncompressed monaural soundtracks
  • Audio commentary from 1995 featuring filmmaker Peter Bogdanovich and Orson Welles scholar Myron Meisel
  • Filming “Othello,” Welles’s last completed film, a 1979 essay-documentary
  • Return to Glennascaul, a 1953 short film made by actors Micheál MacLiammóir and Hilton Edwards during a hiatus from shooting Othello
  • New interview with Welles biographer Simon Callow
  • Souvenirs d’“Othello,” a 1995 documentary about actor Suzanne Cloutier by François Girard
  • New interview with Welles scholar François Thomas on the two versions
  • New interview with Ayanna Thompson, author of Passing Strange: Shakespeare, Race, and Contemporary America
  • Interview from 2014 with scholar Joseph McBride
  • PLUS: An essay by film critic Geoffrey O’Brien



The Magnificent Ambersons - 10th December
This beautiful, nostalgia-suffused second feature by Orson Welles(Citizen Kane)—the subject of one of cinema’s greatest missing-footage tragedies—harks back to turn-of-the-twentieth-century Indianapolis, chronicling the inexorable decline of the fortunes of an affluent family. Adapted from an acclaimed Booth Tarkington novel and characterized by restlessly inventive camera work and powerful performances from a cast including Joseph Cotton (The Third Man), Tim Holt(The Treasure of the Sierra Madre), and Agnes Moorehead (Citizen Kane), the film traces the rifts deepening within the Amberson clan—at the same time as the forces of progress begin to transform the city they once ruled. Though RKO excised over forty minutes of footage, now lost to history, and added an incongruously upbeat ending, The Magnificent Ambersons is an emotionally rich family saga and a masterful elegy for a bygone chapter of American life.



Features:
  • New 4K digital restoration, with uncompressed monaural soundtrack
  • Two audio commentaries, featuring film scholars Robert Carringer, James Naremore and critic Jonathan Rosenbaum
  • New interviews with scholars Simon Callow and Joseph McBride
  • New video essay on the film’s cinematographers by scholar François Thomas
  • New video essay on the film’s score by scholar Christopher Husted
  • Welles on The Dick Cavett Show in 1970
  • Segment from Pampered Youth, a 1925 silent adaptation of The Magnificent Ambersons
  • Audio from a 1979 AFI symposium on Welles
  • Two Mercury Theatre radio plays: Seventeen (1938), an adaptation of another Booth Tarkington novel by Welles, and The Magnificent Ambersons (1939)
  • Trailer
  • PLUS: An essay by critic Molly Haskell and essays by authors and critics Luc Sante, Geoffrey O’Brien, Farran Smith Nehme, and Jonathan Lethem, and excerpts from an unfinished 1982 memoir by Welles

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